North of Byzantium is an initiative that explores the rich history, art, and culture of the northern frontiers of the Byzantine Empire in Eastern Europe between the thirteenth and the sixteenth centuries. Regions of the Balkan Peninsula and the Carpathian Mountains – such as Serbia, Bulgaria, and the Romanian principalities of Wallachia, Moldavia, and Transylvania, among other regions – took on prominent roles in the continuation of the cultural legacy of Byzantium, as well as the transformation and appropriation of Byzantine artistic traditions in the later centuries of the empire and in the decades after the fall of Constantinople to the Ottoman Turks in 1453. The specificities of each of these eastern European regions, and, in modern times, politics and nationalistic approaches, reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. Moreover, throughout much of the twentieth century, the Iron Curtain created actual and ideological barriers to the study of much of Eastern Europe, rendering relevant literature inaccessible and the study of actual objects and monuments impossible. Much has changed since then, and more remains to be done.
North of Byzantium seeks to promote the study of the rich medieval artistic production of Eastern Europe among undergraduate and graduate students, as well as specialists and non-specialists. Through its annual events, the initiative addresses issues of visual eclecticism in art and architecture, patronage, the transfer of artistic ideas and styles, and charts how cross-cultural exchange operated in regions of the Balkans and the Carpathians that developed at the crossroads of the Greek, Slavic, and Latin cultural spheres. North of Byzantium is primarily sponsored by the Mary Jaharis Center for Byzantine Art and Culture.